Some Definitional Thoughts About YA (Mormon) Fiction

Author’s note: This started as a post on my own blog on whether or not No Going Back is a YA novel. I showed it to William Morris, who suggested that I post it here. I quote from his comments: “I know you are worried about readers tiring of hearing about No Going Back, but this blog entry a) is literary criticism, which is the heart of AMV and b) tackles what is becoming a core question for Mormon fiction, imo, because of the huge number of authors finding success with YA and/or work for middle readers — that is, is YA capable of providing real literary value to Mormon letters and if so what level of “˜mature/explicit’ content can it deal with without alienating Mormon readers.”

So I’ve posted different versions (with different titles) in the two places. The version at my blog focuses on the original question of whether No Going Back is a YA novel. The version here retains most of that content, but also considers some more general questions about the nature and status of YA novels, particularly in the Mormon universe.

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