About a decade ago I read an essay on the modern artist Wayne Thiebaud which talked about the communal aspects of his work. The essay attributed these aspects of his work to the communal aspects of his youth, from his birth in a Mesa, Arizona LDS community. Of course there are many communal aspects to Mormon culture, and at least some of those are unique to Mormonism. But as I’ve thought and read about Mormon art, I’ve increasingly realized how at odds this view of Thiebaud is with views from within the Church about Mormon art, where Thiebaud’s work is not considered Mormon.
The difference I see comes down to a disagreement about themes in art.
Continue reading “What are the themes of Mormonism?”
While home teaching the other day, I got into a discussion of how single LDS Church members passed on apartments from member to member, so that some apartments have been held by Church members for a decade or more. As an example of this, I was able to cite the case of Keene Curtis and Jon Beck Shank, both LDS Church members (at least nominally), who shared an apartment here in New York City in the 1960s. I then explained that Curtis went on to become a very successful actor, playing most famously the part of John Allen Hill, the upstairs restaurant owner in the sitcom “Cheers” and the part of “Daddy Warbucks” in the musical “Annie” on stage (not in the film version).
“Daddy Warbucks” was Mormon?!! was the incredulous reaction I got.
Continue reading “An Artist is Not Without Honor, Except in His Own Culture”