It all started back in the summer of 2011. Tom Rogers and I were trading pieces of writing back and forth via email. At one point I wrote: “Have you contemplated publication of a collection of your essays? It seems to me that there could be real value in that.” Little did I know…
Continue reading “A Labor of Love: Editing Let Your Hearts and Minds Expand, by Tom Rogers”
Ever since Scott Hales announced his plans to edit a new anthology of Mormon literary criticism, I’ve been thinking off and on about my own past grapplings with Mormon literature and where I’d want to take them — had I world enough, time, money, and the requisite academic chops. What follows isn’t that essay, but comes about as close as I can manage at present. Consider this my submission!
Why do or should we — as readers, writers, and/or literary critics — care about whether a text is Mormon? Potential reasons are legion, as varied as readers themselves. Among the most typical and (it seems to me) important are the following:
- To understand Mormonism better — as a culture, religion, historical movement, or what have you
- To investigate specific elements of Mormon experience, thought, and culture through literary works
- To explore the purpose(s) and role(s) of literature in Mormon experience and worldview
- To articulate ways that literature has influenced Mormonism
- As a test case to investigate the interrelationships of literature and religion, literature and identity, literature and culture, and a host of other potential intersections
- To understand better particular literary works that incorporate manifestly Mormon elements
- To assert our own membership (or non-membership) in the Mormon community
- To explore what it means to be Mormon and a reader, Mormon and a writer, or Mormon and a critic
- To seek out and encourage literature we think is worthwhile, in whatever particular relationship to Mormonism we endorse: celebratory, investigatory, critical, or other[1. The purposes listed here include many I have seen explicitly or (mostly) implicitly pursued via published essays, blog posts, discussions on the email discussion list once sponsored by the Association for Mormon Letters, and a variety of other venues — plus a few I’ve not seen much of (such as the influence of literature on Mormonism) but that seem like logical and potentially interesting possibilities.]
Continue reading “Parsing the “Mormon” in Mormon Literature”
Saints on Stage: An Anthology of Mormon Drama is now available at Zarahemla Books’ website, Barnes and Noble, and Amazon.
After a half decade of delays, obstacles, research, and revising, I am so pleased that this behemoth is now ready to release onto an unsuspecting world! The plays it includes (from such Mormon Letters luminaries as Eric Samuelsen, Margaret Blair Young, Melissa Leilani Larson, Thomas F. Rogers, Susan E. Howe, James Arrington, Scott Bronson, Tim Slover, Robert Elliott, and Thom Duncan) have effected my life in profound ways and I hope other people will feel the same. They make up some of the finest accomplishments in the history of Mormon Drama. The volume is huge… nearly 700 pages. It has 11 plays, playwright biographies, and a 30+ page introduction on the history of Mormon drama. We’ve tried to be thorough, we’ve tried to give you something meaningful. I hope you’ll see why this is a project I thought was worth working and waiting for.
It’s taken the better half of a decade, but Saints on Stage: An Anthology of Mormon Drama is off to the printers. This is the description of the book on Zarahemla Books’s website:
Saints on Stage is the most comprehensive and important work on Mormon drama ever published. This volume anthologizes some of Mormonism’s best plays from the last several decades, many of them published here for the first time. Several of these plays have won honors from institutions as varied as the Kennedy Center and the Association for Mormon Letters.
This volume includes historical backgrounds and playwright biographies, as well as an introduction that provides an extensive overview of Mormon drama. The following plays are included:
Fires of the Mind ““ Robert Elliott
Huebener ““ Thomas F. Rogers
Burdens of Earth ““ Susan Elizabeth Howe
J. Golden ““ James Arrington
Matters of the Heart ““ Thom Duncan
Gadianton ““ Eric Samuelsen
Hancock County ““ Tim Slover
Stones ““ J. Scott Bronson
Farewell to Eden ““ Mahonri Stewart
Martyrs’ Crossing ““ Melissa Leilani Larson
I Am Jane ““ Margaret Blair Young