When I don’t have other things occupying my mind (and often when I do), I think a lot about language and kinship, about the potential of words to forge new relationships among people and between people and things and thereby to shape new neural, emotional, physical, and social worlds. Because I believe that language has this cosmoplastic capacity, I’m convinced that it has the potential—more than violence and threats of violence—to lead us to better, more sustainable versions of ourselves as individuals, as communities, as nations, and as a species.
In light of Sunday’s mass shooting in Las Vegas, I needed to remind myself of my convictions, which inform my writing and my teaching; so, egoist that I am, I turned to an essay I had published on the topic in Sunstone last year: “‘An Open Palm and a Consecrated Life’: Three Meditations on Being-with Others.” The essay explores the implications of a question Adam Miller asks in Letters to a Young Mormon: “The question is, will we greet [the] passing [of everything and everyone we know] with a closed fist or with an open palm and a consecrated life” (75)? My response to Miller grapples with the ethics of state-sponsored violence, lyrics from Emma Lou Thayne, and Enoch’s vision of a God who weeps over human violence.
Last weekend I had the chance to attend this year’s regional Sunstone Symposium in Kirtland. I initially had not planned to attend, but after I published three cartoons in the recent issue of Sunstone, the director of the symposium invited me to give a presentation on The Garden of Enid. I gladly accepted.
Kirtland is four hours northeast of my home. Travelling with limited funds, I left at 4:30 in the morning and drove non-stop to the Stannard Stone Quarry in Chapin Forest Reservation, where the early Saints quarried stone for the temple, just two miles south of Kirtland. I had an hour to wait before the symposium, so I grabbed my camera and took a mile-long trail through the forest, hoping to see something neat–like a rock formation. The trail was all trees and moss, however, until I found the quarry itself in a creek a few muddy steps off the beaten path. A few years back, the Church and the local government had put up signage and built a wooden walkway over the creek–perhaps to prevent visitors from climbing down into the creek itself, as I was doing, to get a better view of the chisel marks in the algae-covered stone.
After snapping more pictures than I’ll ever need of the quarry, I hiked back to my car and drove to the Community of Christ’s Kirtland Temple Visitor’s Center, the conference venue, where I picked up my name tag and pocketed a few free copies of Sunstone and an old collection of Mormon cartoons by Calvin Grondahl. From there I headed to the main classroom to wait for the conference keynote address to begin and feel guilty about not making better small talk with strangers.
Today is the anniversary of Paul Swenson’s birth. If my calculations are correct, he was born in 1935 and would have turned 78 this year. I’ve thought about him off and on since he passed, mostly because I know that at the time of his death he was working with Dream Garden Press to publish his second poetry collection. According to the bio note he passed along for inclusion in Fire in the Pasture the book was to be titled In Sleep and he was planning for its release in late 2011. I’m sure, among other things, his poor health pushed back the release, but his passing delayed it indefinitely. I’m not sure what’s happening with his literary estate now. But if anyone within the sound of this post does know what’s in store for the work Paul left behind (both published and unpublished), let me know. I’m interested in doing what I can to help archive, to sustain, and to promote his literary legacy. (You can contact me here.)
With that in mind, I wanted to commemorate Paul on his birthday by posting a couple clips of him reading his work. Unfortunately, I couldn’t find any online, but I did have some stored away on a jump drive in a collection of recordings I downloaded a few years ago from Sunstone’s Symposium archive when it still contained audio from past events. The two clips I’m sharing today were snipped from a session recording made during the 1997 Sunstone Symposium held 6-9 August at the University Park Hotel in Salt Lake City, Utah. The session was titled “Too Much Stuff Gone Down, Baby: Performance Poets at Play” and included readings by Paul, Alex Caldiero, Lin Ostler, Stefene Russell, and Laraine Wilkins. Paul read both of the following poems near the end of his set. The first is “Strange Gods,” which was originally published in Sunstone and later appeared in Iced at the Ward, Burned at the Stake; and the second, “Nothing Has Changed Since You Left,” is, as far as I can tell, unpublished. Continue reading “Remembering Paul”
In the latest issue of Sunstone (the latest for me, at least—I always get the new issues a couple weeks later than everyone else), Jack Harrell writes a provocative and, for me at least, difficult-to-argue-with essay about Mormon writing. In fact, I’m tempted to describe it as a manifesto. Sunstone won’t put it online for a few months, but I want to talk about it now.
He starts with calling Mormon artists out for our attitudes toward “two forces . . . [which] originated outside of Mormonism, and [that] tempt us to work below our station” (6). For simplicity’s sake in this review, I’ll refer to these forces as absolutism and postmodernism, but I want to be on record as saying that postmodernism means a lot of things to a lot of people and if you don’t how it’s been oversimplified in this post, get over it. Continue reading ““. . . the universe is fundamentally absurd, but need not remain so.””
Remember Missile Mouse? Book one?Book two? The mind behind these books is one Jake Parker, one of my favorite comics artists, and the one one who meets both these categories: I buy most everything he does. I share it with my kids.
Jake has started a new Kickstarter campaign which has in very few days racked up a tremendous amount of money. Let’s talk with Jake about what he’s up to, shall we?
This Saturday at Claremont Graduate University, Sunstone West, a small tidier Sunstone Symposium, will feature panels about two Peculiar Pages book. (Note that times and participants are subject to clarification.)
The first, Monsters & Mormons, accomplished with the help of A Motley Vision and the most fun currently available in print. Participating authors Erik Peterson (“Bichos”) and Brian Gibson (“The Eye Opener”) will be talking about their works as well as reading their own and others’ stories. Responding to their presentation will be Patrick Q. Mason, the Howard W. Hunter Chair of Mormon Studies and Associate Professor of North American Religion at Claremont, and the author of The Mormon Menace: Violence and Anti-Mormonism in the Postbellum South (Oxford University Press, 2011).
Also featured are several poets from Fire in the Pasture. Featuring editor, poet, and AMV-contributor Tyler Chadwick discussing a Javen Tanner poem, and, in a separate session, readings from Tyler, Neil Aitkin, Karen Kelsay, Elisa Pulido, Laura Stott, Holly Welker, and, we hope, more.
Sunstone West is always great fun and you’ll want to catch other panels and presentations while you’re there.