If I keep forgetting about the new Mormon Lit Blitz contest, then I have to believe a lot of people are having the same issue.
Here’s the pitch as taken from the Mormon Artist website (written by James Goldberg): Continue reading “Meeting of the Myths”
Today’s readings are:
“The Class That Wouldn’t Die” by Joe Vasicek
“Three Different Mormon Futures” by Eric James Stone
“Avek, Who is Distributed” Steven L. Peck
“Release” by Wm Morris
“Waiting” by Katherine Cowley
and, if we have time, “That Leviathan, Whom Thou Hast Made” by Eric James Stone (free audio)
Please feel free to have your own seminar in the comments to this post.
Other posts in series:
AMV hosts a discussion of Steven Peck’s 22nd century Mormon story Avek, Who Is Distributed as part of the Four Centuries of Mormon Stories Contest.
Wm says: I’m pleased to host a discussion of the penultimate story in the Four Centuries of Mormon Stories contest. Here’s a guest post from the contest organizers to help us kick things off:
You may have heard of the “Four Centuries of Mormon Stories” contest before, or even smelled its aroma rising out of Minnesota, the Middle East, or Pleasant Grove. If you haven’t, the conceit is simple: we’re featuring very short stories about Mormons in the 19th, 20th, 21st, and 22nd centuries, then holding a vote for the best of our twelve finalists and giving $400 to the winner. We’re also holding a blog tour of discussions, bring the people to the stories and the stories to the people. Or something like that.
Seriously: if you haven’t read these stories, take half an hour to catch up. Or at least take three minutes to read Steven Peck’s “Avek, Who Is Distributed” and discuss it today and one of the world’s oldest Mormon arts & culture blogs.
- What are your initial reactions to the story?
- How much would you pay for a StraythoughtAssist device?
- What role might all the Mormon Literature ever written have played in Avek’s intense desire to join the Mormon panth
- If you could have lunch with Avek, what questions would you ask him? And what drink would you order?
Over at AMV’s companion blog Wilderness Interface Zone, the last of the 2012 Spring Poetry Runoff poems have posted and voting to decide which one wins the 2012 Spring Poetry Runoff’s Most Popular Poem Award is open and will run through Tuesday, June 5th. All participating poets, their friends and family, and all connoisseurs of poetry–particularly, of nature poetry–are invited to help choose the 2012 Spring Poetry Runoff’s Most Popular Poem Award winner.
The poll to determine the winner of the Spring Poetry Runoff Popular Poem Award will close 11:59 p.m. on Tuesday, June 5, but winners of both the popular vote and the Admin Award will be announced on or around Tuesday, June 6th. So keep an eye on WIZ to see how matters settle out. 31 poems qualified for the voting, so pop some popcorn, get out a pint of your favorite ice cream, or otherwise provision yourself for a long (but satisfying!) read. This part is important, folks: Each voter can (and should) vote for his or her three favorite poems! Instructions on how to access the poems are available in the post”“please read all instructions carefully.
To read the voting instructions and to vote, click here.
The winners of the Most Popular Poem and Admin Awards will receive their choices of Steven L. Peck’s The Scholar of Moab (Torrey House Press 2011), which recently received the AML Award for the Novel, or the stunning new anthology of Mormon poetry, Fire in the Pasture (Peculiar Pages 2011) edited by AMV’s Tyler Chadwick. Tyler also won an AML Award for his editing of this must-have collection.
So come over to WIZ and join the fun. Or at least set up a lawn chair and watch.
Steven Peck will be reading from his novel The Scholar of Moab. today, Friday Feb 3, at noon in the basement auditorium of the Harold B. Lee Library at BYU. He brought me by a review copy the other day and we had a good chat. He moved to Moab when he was in high school, after the uranium boom and before the tourist boom. Should be a good reading.
I told him I’m intrigued by the petroglyph on the cover, which makes the design is similar to the cover of Patricia Karamesines’ The Pictograph Murders. They’re both mysteries of sorts, so I’ll be interested to compare approaches. I should have more after the event, and maybe some pictures.