The three genres of Christian music

I’m finally getting around to processing my notes on Rapture Ready! Adventures in the Parallel Universe of Christian Pop Culture by Daniel Radosh. One of the most interesting sections deals with the Christian music industry and various opinions over what is and isn’t acceptable in the industry. Radosh interviews Jay Howard co-author of Apostles of Rock: The Splintered World of Contemporary Christian Music. Howard identifies three types of CCM* fans: separational, integrational and transformational.

According to Radosh, “the breakdown [into these three groups] is not along aesthetic style lines, and any of the CCM camps can accommodate pretty much any musical style.” Rather, the three groups are each defined by their views of popular culture and the relationship between their work and the larger culture. I’ll outline the three genres and then provide a bit of analysis in relation to the Mormon market. Continue reading “The three genres of Christian music”