In the past 40 years the descriptions of Mormon literature published by Eugene England and his successors have designated oratory as one of the primary forms of our literary output, one that Church members are most familiar with. It is in oratory, as well as the personal essay, that Mormons are sometimes thought to excel. Given the pattern of Mormon worship, that makes sense.
But we also might ask whether a strength in oratory is best for our literature. Are some forms of literature inherently better than others? And does the Mormon view differ from that of others who have examined literature?
Its no surprise that Orson F. Whitney had has opinion about oratory:
Continue reading “Sunday Lit Crit Sermon #87: Orson F. Whitney on Oratory as Milk”
Perhaps the most widespread literary art practiced among Mormons is oratory. The three or four weekly sermons given in every LDS congregation, usually by members of that congregation, sum to a formidable amount of practice at public speaking. And while the average active member may speak in church once every few years, local leaders certainly get plenty of practice. I don’t know if prayer should be considered a literary art or not, but if not, then oratory is likely our most commonly used art form.
Continue reading “Sunday Lit Crit Sermon #83: Orson F. Whitney on sincerity and oratory”
When Mormon Literature folk think of Orson F. Whitney, it is usually in regard to his 1886 talk that predicted that Mormonism would yet have “Miltons and Shakespeares of our own.” But in 1926, after two decades as an Apostle, Whitney was still writing about literature and the role it would play in Mormonism. That year Whitney penned a five-part article for the Improvement Era in which he explored the question of literature and Mormonism, and in doing so came closer than any previous author to a Mormon theory of literature.
Continue reading “Sunday Lit Crit Sermon #80: Orson F. Whitney on Poetry and Oratory”