So your whole book is based on the structure of kissing, how did you decide to do that?
It’s funny because the sort of themes or structures that are pointed out to me usually they’re a surprise, like oh I did do that! So I think that I noticed that there were so many stories about kissing and so I just started calling them Take One, Take Two, Take Three and then there were the stories that ended up being about kissing too so we just called them Take Eight, Take Nine and then I found an in an old journal this map of Manhattan that mapped out the different places and I thought it was so funny that I made a copy of it and redrew it for the book. Its something I did when I was 22 but it sort of reflects the 15-year-old behavior and so then I didn’t fill it out when I got older but in the book I just extended the map and filled in all the other people I kissed.
So that raises a couple interesting questions. Before you took the book to the editor—as opposed to how it looks after the editing process—do you think the book is structurally the same now? Did little things like that make a big difference or was it just clarifying what was already there? Continue reading “Elna Baker: A Serious Interview”
This is not my review of Elna Baker’s new book. This is an accident. I read her first chapter then nine minutes later gave birth to a healthy essay. This sort of thing can happen, even with virginal New York Mormons like Elna. I promise I will do whatever it takes — count to 100 by sevens, whatever — to keep from conceiving an essay per chapter. If all goes well, you will not hear from us again until her book’s estimated due date, October 15.
The first “chapter” (it’s not called a chapter, yet that’s what I’m calling it) of The New York Regional Mormon Singles Halloween Dance is stage-setting, it’s an introduction — she hasn’t brought out the funny yet (though it’s funny), she hasn’t brought out the memoir yet (though it’s memoiric) — she’s setting the stage, she’s introducing us to her life’s dramatic conventions. She’s world-building.
Yet in these first 22 pages of her new memoir, Elna Baker carves out a rhetorical space for herself by discussing how she has carved space for herself in the real world. She is “A Mormon in New York.” Continue reading ““Crap, I’m apologizing for my Mormonism again. Sorry.””
Sunday’s New York Post gossip column, Page Six, contained an item I can identify with, because several of my relatives don’t seem to like New York, where I live. Elna Baker’s mother worried when her daughter headed to NYU for college instead of BYU, warning her to beware of smoking, drinking, drugs, homosexuality and exotic dancing in sin-filled New York City. Elna says, “I left thinking, ‘Great, my mom thinks I’m moving to the big city to become a lesbian stripper.’ “
Continue reading “Will Elna Baker Get Respect?”
While home teaching the other day, I got into a discussion of how single LDS Church members passed on apartments from member to member, so that some apartments have been held by Church members for a decade or more. As an example of this, I was able to cite the case of Keene Curtis and Jon Beck Shank, both LDS Church members (at least nominally), who shared an apartment here in New York City in the 1960s. I then explained that Curtis went on to become a very successful actor, playing most famously the part of John Allen Hill, the upstairs restaurant owner in the sitcom “Cheers” and the part of “Daddy Warbucks” in the musical “Annie” on stage (not in the film version).
“Daddy Warbucks” was Mormon?!! was the incredulous reaction I got.
Continue reading “An Artist is Not Without Honor, Except in His Own Culture”