This is the second post in a five or six part series that explores the ethics of Latter-day Saint literature and criticism. In part one, I introduce the dissonance between Mormon theology and Mormon culture, pointing specifically to how the artifacts of that culture–particularly our letters–often fail to engage the eternally rich and redemptive ethical dilemmas raised and embraced by LDS theology. As a case in point and as a springboard into discussing the greater questions arising from this dissonance, I deconstruct Jerry Johnston’s Mormon Times review of Eric Samuelsen’s play Inversion and suggest that the binary Johnston propagates favoring literary tidiness over ambiguity tragically reduces the Mormon quest to know God through the workings and weaknesses of human language1 into barely more than an immature attempt to avoid the discomforts of existence in a paradox-filled universe.
II. In Exchange for the Soul
One of the most tragic of these paradoxes, as Eugene England points out, is “the struggle to maintain individual integrity, to be true to ourselves”2 in the face of the demanding responsibilities and expectations laid on us through our chosen affiliation with and participation in Christ’s Church. Denying this paradox its place in our discipleship and our arts and letters, even if ignorant of our refusal, we ultimately subvert the work of God as he moves to convert us into his own exalted lifestyle, to mold us into his own glorified image. Continue reading “The Tragic Tell of Mormon Morality, Part II”
I had trouble sleeping last night and wasn’t in the mood for any serious writing in my head so I came up with a few phrases that then turned into a short-short story on the bus this morning. Fittingly, the only paper I had on me was a rather large LDS Church magazine renewal envelope that had been inserted into our September edition of the Ensign and was in my bag to remind me to do the renewal online. So I tore open the envelope and wrote on the blank inside and, yes, this is a first draft with a couple of edits done just now in WordPress, but I don’t see myself taking it further. It’s not much of a story, but it’s a first attempt at exploring some issues that I find fascinating and a little scary (and that I’m actually not all that worried about, because we’re decades away from them). ~Wm
The way she pressed on through his miasma of reluctance amused him even as he was baffled by her insistence that he must incorporate himself without delay for some outmoded buried alive ritual involving water and that it couldn’t wait for the next time he condescended to take on flesh (which would probably be never — 11 being a nice number to stop at) and yet he let her go on even though she was so annoying that he wanted to flick her away streaming layers of avatar behind her — send her packing back to her plane full of meatspacers with low budget rendering and didn’t the Mormons have money for better gear or maybe they had been too slow converting their physical holdings to virtual ones but he was too lazy to look it up and perhaps it took more resources than he thought to make their massive temple virtually unhackable (and my but how he still enjoyed that worn out joke — the only nostalgia he allowed himself these days) and maybe it would be amusing to toss a leg or two at it for another attempt and now he was kind of bored with the earnest tone and yet there was a certain gleam in her voice as though she though she thought she was getting through to him or maybe even making fun of him for letting his guard down and allowing her cheap filter buster to bring her through to his magestic presence because he was in a weird mood to see what the code would drag in and he even batted away a particularly nasty amoeba that had trailed in behind her and was about to swallow her and maybe he should just swallow her and really did they think that he was going to hand over ten percent of his processing power and didn’t she know that he had started religions with more adherents than the entire LDS — meatspace included — and yet he would like a peek inside that temple although maybe they hadn’t changed the ceremonies much since the last leak and still she rambled on and he could tell she thought this latest tactic was her ace in the hole but really why would he want to die on the off chance that he could become a god in some other ‘verse when he pretty much already was one.
The great yet often bewildering thing about how the Internet has evolved is that there are now many more ways to deliver and receive content. I thought it would be useful for readers to present all the different ways to follow AMV, including comments, and analysis of the merits and limitations of each method. Even if you already have a method you like, consider reading through the whole post — you may just discover something you like better or learn something you didn’t know.
Continue reading “How to follow AMV”
“Imagine if you had witnessed something horrific. Imagine if it had happened to your friend. And imagine if you hadn’t done anything to help.”
The world of LDS literature is rife with can only be termed “issue novels”. Whether they are out to take on drug abuse, polygamy, suicide, racism, or even date rape, issue novels pick a socially difficult topic and discuss it. The aim of these novels seems to be to bring awareness to an issue and to help those dealing with it do so in a faithful manner. Some of these novels turn out distastefully didactic. Others, however, open our minds to new points of view and provide much needed catharsis. This is What I Did: by LDS novelist, Ann Dee Ellis, is one of the good ones. Continue reading “This is What I Did: by Ann Dee Ellis (a review and interview)”
Several months ago my lovely wife Anne and I had the privilege to go to a retreat hosted twice a year by the Mormon Artists Foundation. Founded by James Christensen (rightfully famous for his art of fantasy and his fantastic art) and Doug Stewart (playwright of the groundbreaking Saturday’s Warrior), it’s always one of the chief highlights of the year for my wife and I. An uplifting experience, not because of the number of recognizable names on the roster (which was a little intimidating at first, until their relaxed manner and cheerful comradery told me that they were only human and weren’t looking down on my comparatively pitiful contribution to Mormon Arts), but because of the focus it brought to the spiritual aspect of our art, and the complicated ways our religion informs and doesn’t inform our Art. It was a true inspiration to see all of these gifted Mormons from the visual arts, literature, film, drama and music band together for a weekend of reminding each other why they’re artists and why they’re Mormons, and what a wonderfully strange and beautiful mixture that is. Continue reading “The Art of Friends, Not Rivals: Shannon Hale and Stephenie Meyer”
The Tragic Tell of Mormon Morality: Exposing the Achilles’ Heel of Jerry Johnston’s Commodified Theology, or An Ethics of Latter-day Saint Reading–Part I
(The title’s a mouthful, I know.)
This is the first post in a five or six part series (to run on Thursdays) that explores the ethics of Latter-day Saint literature and criticism. Working within a framework of the redemptive paradoxes inherent in Mormon theology and the moral universe it embraces, the series attempts to probe the place of this ambiguity in the central, recurring conflicts in Mormon letters (particularly in light of the debate between those who think Mormon literature should primarily serve orthodox, didactic purposes and those who think it should provide a more challenging aesthetic), to present an economic reading of why much popular Mormon literature remains in the former camp, and to show how one contemporary Mormon writer has attempted to transcend this paradox–and thus to serve a more deifying need–in their own writing.
I. (Mis)Reading the Mormon Tragic Quest
In his recent review of Eric Samuelsen’s new play Inversion, Jerry Johnston introduces what is and should be a demanding discussion on the ethics of Mormon literature, then bows out before giving the dialog due course or even before acknowledging that he only tells part of the story. Continue reading “The Tragic Tell of Mormon Morality: Part I”
I wasn’t planning on doing another post on Ensign art, but the September issue has another four page spread — this one featuring harvest-themed work. What I find interesting is that the feature, which is titled “A Time of Harvest” doesn’t focus on what one thinks it would (or at least what I thought it would). It’s not about D&C 4:4, not about the harvest as missionary work metaphor, but rather it’s actually about the harvest season — complete with quotes from Presidents Monson, Hinckley and Kimball on the joys of growing your own food.
Most of the works featured (7 paintings, 1 sculpture and 1 quilt) are from the Museum of Church History. Three focus on the fruits of the harvest in the home; the rest on the actual action of harvesting.
There is one painting that grabbed me, in particular, and I wasn’t surprised to find that it was by J. Kirk Richards. I have been a fan of his work ever since reading an LDS Today profile of him back in 2003 (although I think that that’s actually a shortened profile and that there was a fuller, earlier one, featuring more of his work, posted on an earlier incarnation of the LDS Today Web site from maybe 2000 or 2001). Continue reading “Harvest paintings in Sept. Ensign”