Last year this month I surveyed all I knew about Mormon Comix (defined quite broadly) (and using a spelling some took issue with). This month (and in subsequent Augusts) I will briefly review three of my favorite Mormon Comix read since 2008’s write-up.
Anyone aware of my reading will note some obvious names missing from this post’s lineup. Nothing on the Ric Estrada I’ve read (they’ll wait for the conclusion of my series of posts on the man) nothing on Jake Parker (I’m waiting for my ARC of his upcoming book, though you can check out his work online if you’re anxious), and nothing about some very worthy webcomics (I’m learning that I still prefer my comics on paper–I’m sure tech will catch up with my needs eventually, but 2008/2009 was not the year that happened). If you would like a bibliography of sorts, check out the original post and, equally importantly, the accompanying comments. (Note: Because WordPress is pretty much the worst thing ever invented, accompanying images will all be clumped at the end rather than placed appropriately.) Continue reading “Theric’s Comix Survey, Revisited”
I imagine the first thing that comes to the average mind when one mentions Mike or Laura Allred, together or separately, is Madman, Mike’s mid-Nineties comics creation that has lived long and is one of the most brilliant comics on shelves even today.
In Mormon circles, they are probably better known for The Golden Plates, their Book of Mormon adaptation.
For both these works, the writing and drawing is done by Mike, with colors by Laura. But their careers stretch far beyond these two titles, deep into the world of popular comics. Mike’s retro-pop stylings are in high demand (look for a collaboration with Neil Gaiman, coming soon) and Laura’s zowie colors for numerous popular titles have won her fan awards time and again. Check out these resumes: (Mike), (Laura).
Recently I wrote a short monograph about Mormons who work in comics.
And you’re probably the best known of them.
Yes, I am.
And I just wanted — there is — I’m working on — for instance I’m thinking about putting together an anthology of Mormon artists and I was curious what you think Mormon comics should look like in the future
Oph! Is that a question? What Mormon comics should look like in the future? Well, I tell you: because I worked for commercial publishers, DC comics mostly, for DC Comics for sixteen, seventeen, eighteen years, and for other New York publishers because I lived in New York at the time.
But the comics I did usually followed the stories they gave me to illustrate, which were superheroes, war stories, romance stories, detective stories. I used, you know, in the late, oh, 1940s, early 1950s, western stories, cowboys and Indians.
So as far as MORMON comics, I don’t know that there’s anything like MORMON comics.
I don’t think there is.
No, I think it’s a, you know, it’s a nice thought, but it’s a misnomer.
Ric Estrada’s mentor when he first arrived in New York was a, “what do you call him, a Jack Mormon . . . he came from a Mormon background and he told me a thing or two about the Church, but he was disconnected with it.” Needless to say, this man was was not making “Mormon” comics. And outside of Church publications (mainly The Friend), there has been very little done in that respect. A thing here, a thing there. Gags in Sunstone, Mike Allred’s Golden Plates — but not much. So I asked the man with the experience why he thought that was. He offered two reasons.
Continue reading “Ric Estrada: The beginnings of MORMON comics”
As Motley Vision‘s newest Official Contributor, I feel an obligation to have my first post explain something of my experience within and attitude towards the Mormon arts.
Several months ago, I plotted out a post called “Hero’s Journey of the Mormon Artist” which I had intended to submit to William. I’m glad I never finished it however as further reflection has suggested to me that I was implying that that my proposed version of the hero’s journey was a necessary part of being a good Mormon artist. As if being an Orson Scott Card or a Dean Hughes is more admirable than being a Heather Moore or an Anita Stansfield (no sexism intended). And so I continued refining the idea and now I feel that it is not Mormon artists who are on a hero’s journey, but the Mormon arts entire. I will not be going into all seventeen stages of the monomyth, but I will deal with the three major groupings and hit on the secondary levels when they seem helpful.
When I asked Theric Jepson to write a bit about Mormon graphic novels, I didn’t expect that he would launch a full on bibliographic project. But he did — and even though the results make for a very long post, it’s very much worth a read. Indeed, it’s quite the amazing project and must have taken quite some time to put together. Thanks, Theric. ~Wm Morris
I’m also going to make you click through for the full post because the “more” tag seems to be causing some problems with the special formatting for the post.