Now that the busyness of Christmas has passed and the final performance in the 2nd Annual #MormonPoetrySlam has posted (see the event archive here), it’s time to determine the winner of the Audience Choice Award. For your consideration and reviewing pleasure, here are the eighteen entries, listed in order of appearance (you may need to hit “Read next page” at the bottom of the Storify to review all of eighteen).
To get straight to voting, click here. Continue reading “Let the 2nd Annual #MormonPoetrySlam Voting Begin!”
In case you haven’t been following the Mormon Poetry Slam at home and have an interest in Mormon poetry (I mean, who doesn’t, right?), here’s an update (which I initially posted here):
The final performance in the slam—which I’ve been hosting on FireinthePasture.org and which as far as I know is the first online competition of its kind—posted last Friday. (You can find the event archive here). Now it’s time to determine the winner of the Audience Choice Award and we need your help with that because, well, the participants need the audience to vote. So, if you would: Take several minutes to consider the slam performances, then vote for your favorite before Wednesday’s end (voting rules are outlined below). For your consideration and reviewing pleasure, here are the fourteen entries, listed in order of appearance: Continue reading “Wrapping up the #MormonPoetrySlam”
Before I can write about this story, I need to talk about Stephen Carter’s “Winter Light” (in What of the Night?) because as I read “The Week-end” I kept thinking This could have been May Swenson.
Carter’s Aunt May is one of the Twentieth Century’s great poets and she was an expat Utah Mormon living in the wilds of New York, leaving behind family and faith for poetry and pretty girls. “Winter Light” discusses May’s career from the point-of-view of her family. Over the course of the essay, Carter becomes more sympathetic to her plight, but the family in general views her as a lost soul, eternally trapped in a waiting place, separated from the family she loved.
What’s lacking from “Winter Light” (and Carter knows it) is May’s own perspective.
And as I read Marshall’s “The Week-end”, I kept wondering if this is what May would have become had she never left Logan. Continue reading “Bright Angels & Familiars: “The Week-end” by Donald R. Marshall”
This is the third year that I have prepared a bibliography of poetry by Mormons in print for National Poetry Month. Surprisingly, this year we only added titles to the list — nothing went out-of-print. But don’t think that is because all these books are easy to find.
Continue reading “Poetry in Print — April 2010”
I take up today where I left off .
More or Less Mormon? The Problem(atizing) of Mormon Identity
In his 1997 Dialogue article, “‘Awaiting Translation’: Timothy Liu, Identity Politics, and the Question of Religious Authenticity,” Waterman interrogates the notion of a coherent Mormon cultural identity, a religious sense of communal self constructed around nineteenth century Mormonism’s flirtation with nationhood and ethnic identity separate from that of the nineteenth century American mainstream. This “incipient nationality,” Thomas F. O’Dea observes, was born of the “combination of [Mormonism’s] distinctive values, separate and peculiar social institutions”–as, among other things, its lay ministry and its insistence that humans can receive direct revelation from God–“and [its] geographic segregation” from the rest of America (qtd. in Mauss 291 [from this]). Such “protonationality,” as Armand Mauss labels it, was “strengthened by three ‘Mormon wars'”–the 1838 conflict with neighbors in northwest Missouri, the 1844-46 conflict with neighbors in west Illinois, and the 1857-58 conflict with the Federal Government over Utah Territory–and “”˜constant … conflict’ with the [world] outside [Mormonism] to produce a total Mormon cultural environment and worldview that became ‘progressively more distinct'” (291).
Yet this distinctness faded some as Mormonism made inroads into secular American culture, assimilating, to a degree, in order to accommodate the organization’s need for expansion: if the culture of the saints had stayed too peculiar, refusing engagement with what O’dea labels “modern secular thought” in order to be wholly separate from the world, the institution may have remained indefinitely stagnant and small. Continue reading “Beyond Prescription? Part Two”
April is National Poetry Month, so in view of our recent conversations about Mormon poetry, I though it might be a good idea to review what Mormon poetry is in print at the moment, and ask those who visit to take a look. [The links are to the Amazon page for the book – no link means that the book isn’t available on Amazon.]
I think we would also love to know of any books that aren’t on the list. I pulled this information from a number of sources, but like any bibliographies of Mormon materials, it is very hard to get everything.
The list is interesting for several reasons:
Continue reading “Mormon Poetry for National Poetry Month”