Jolie Hales’s Latter-Day Fake and the elusiveness of Mormonism.
It is with a certain degree of reticence that one examines a student short film with the intention of extracting profundity from its cluster of amateurish sights and sounds. This is not to say that student films cannot strive for and achieve a professional feel, but rather that they are, by definition, primarily a learning experience. Nevertheless, regardless of whether or not one is reaching for global box-office dollars or simply trying to make the grade, all films — no matter their length, scope, budget, or aesthetics — share one unassailable goal: To be seen. Miss Hales’s film has begun to realize that very simple ambition, as evidenced by being pronounced the winner of a recent silver student Emmy for comedy at the College Television Awards. In addition to comedy, her film has also received accolades recognizing its family-friendliness and even redemptive plotline. And since there is talk that Miss Hales will be adapting this project for a feature, it seems relevant to review the ideological foundations in this, the model-home phase. Continue reading “Half Faked”