Nothing Forgettable Here: The Human Meaning of Irreantum‘s Recent Poetry
I.
In their introduction to the poetry section of A Believing People (found online here), Richard Cracroft and Neal Lambert comment that “much [early] Mormon poetry,” like “most of the popular poetry written during that era [the nineteenth century],” is “derivative and didactic” and thus “regrettably forgettable.” Indeed, they continue, because such poetry is “[s]tiff, cliché-ridden, and sing-song in its verse, much of it [really] offers little to the modern reader.”
Not so with the poems collected in Irreantum‘s past two issues, 9.1 (Spring 2007) and 9.2/10.1 (Fall 2007/Spring 2008). Rather, this recent gathering of Mormon poetry breaks loose from poesy’s “traditional shackles” in an effort to weave the varieties of personal experience and lyrical voice around a more individualized aesthetic. Of course, this tendency is nothing new: poets have been experimenting with free verse (and beyond) for decades–at least since the rise of modernity–and many Mormon poets have followed suit. (If you want a sampling of Mormon poets writing in mostly non-traditional forms, take a gander at this somewhat outdated listing of names from Harvest‘s table of contents).
Such general movement away from the strictures of traditional forms has allowed contemporary Mormon poets to focus increasingly, in the words of Cracroft and Lambert, “upon the human meaning of Latter-day Saint history.” To me, such a varied and personal focus allows Mormon poets (as Mormon writers of other genres) to develop a deeply individual aesthetic witness of the story of the Restoration as played out in the flaming mundanities of the poet’s life, a testament called for years ago in President Kimball’s compelling vision for Mormon arts and letters.
Irreantum‘s recent gathering of poetry represents some of the ways this poetic witness is being borne by just a sampling of contemporary Mormon poets. What follows is my review of Irreantum‘s poetry year (section II is a slightly revised version of this response to William’s review of Irreantum 9.1). Continue reading “Nothing Forgettable Here”