Conflict of Cultures
As a devoted member of the Church of Jesus Christ of Latter-day Saints (Mormons), and an active member of the theatrical community, the conflict between the LGBT community and the Church is an issue that has been impossible to avoid for me. Some people’s reluctance in talking about the issue altogether has not been an option for me. I have a number of friends and loved ones (both with connections to the Church and those without) who identify themselves as somewhere on the LGBT spectrum. I mean, let’s be frank, I’m in theatre. In or out of Utah, there are always going to be many of my peers, co-workers, fellow artists and friends who are going to be gay. So it’s something I have had to face, even within my own soul and identity.
I personally know a number of gay Mormons. Many have left the faith (sometimes hostilely), feeling as if their worldview and practices are simply incompatible with the Mormon culture. Yet some have desperately tried to hang on, groping about for some middle way, whether by trying to make a heterosexual lifestyle work for them, living celibate, or hoping (sometimes beyond hope) that the Church will one day change its stance regarding gay marriage. And then there are those Mormons who feel so attached to the issue, even when they are not personally gay, that it has caused some painful soul searching of their own.
Conversely, I have also experienced some very personal and pointed prejudice directed towards me from members of the theatrical community because I am a card carrying, committed Mormon. I have personally experienced a double standard in this regard, where tolerance was only preached , but not practiced by certain “progressive” individuals when it came to views or lifestyles that opposed their own.
I have no easy answers for any of it, but I have made a study of a number of plays that have dealt with the conflict between Mormonism and homosexual lifestyles and tried to grapple with the conflict between these two cultures in the best way I can. Searching through these plays has been at times uncomfortable, often challenging (in both the positive and negative aspects of that word), and at choice moments even enlightening and inspiring. However, it’s made me doubly sensitive to how Mormons are represented in such stories, as well as tender hearted towards those who are caught between the monoliths of these cultures, especially those who identify with both. Continue reading “Tensions: Representations of Mormons in Secular Drama and Gay Identity in Mormon Drama”