Author’s note: This started as a post on my own blog on whether or not No Going Back is a YA novel. I showed it to William Morris, who suggested that I post it here. I quote from his comments: “I know you are worried about readers tiring of hearing about No Going Back, but this blog entry a) is literary criticism, which is the heart of AMV and b) tackles what is becoming a core question for Mormon fiction, imo, because of the huge number of authors finding success with YA and/or work for middle readers — that is, is YA capable of providing real literary value to Mormon letters and if so what level of “˜mature/explicit’ content can it deal with without alienating Mormon readers.”
So I’ve posted different versions (with different titles) in the two places. The version at my blog focuses on the original question of whether No Going Back is a YA novel. The version here retains most of that content, but also considers some more general questions about the nature and status of YA novels, particularly in the Mormon universe.
Continue reading “Some Definitional Thoughts About YA (Mormon) Fiction”
Here’s a somewhat belated addition to my series based on insights from writing my first novel, No Going Back. For the complete list of columns in this series, .
If art is, in part at least, the imitation of reality, it’s an imitation that’s largely bounded by and grounded in artistic convention. That’s something I’ve long been aware of from a literary/critical perspective, but writing a novel myself — and then seeing the reaction of different readers to the specific choices I made about where and how to be “realistic” — has borne that truth in on me in a particularly vivid fashion.
Continue reading “The Writing Rookie #12: Realism and Artistic Convention”
On the face of it, LDS Archive Publishers may not seem of much interest. Because it publishes mainly reprints, its not interested in new works–what LDS authors are usually selling. And because demand for reprints is relatively small, booksellers often aren’t willing to think too much about them. But in fact, publishing reprints is important, because it allows readers access to the basic works that helped create a market for LDS books in the first place. And, LDS Archive Publishers is also interesting for its involvement in a segment of the LDS market most of us never see: the homeschool market.
Continue reading “Interview: LDS Archive Publishers”
I read a blog post by David Wooley the other day about his publisher’s insistance that he help promote his new book. I must admit that I identify with his reluctance to promote himself. My own tendency is a bit introverted, so promotion of any sort requires me to overcome a little embarassment.
But in thinking about David’s post, I can’t help but remember that promotion can also be used in the wrong way. In the Mormon context, publishers and authors face significant cultural and ethical dilemmas in promoting their work. Continue reading “Self-promotion and its Discontents”