Several months ago Theric asked me to define the radical middle — this term that I and others at AMV have been throwing around. More recently, Association for Mormon Letters President Boyd Petersen invoked the same phrase in his inaugural post on The Dawning of a Brighter Day. I’m hesitant to write manifestos or get in to long drawn out debates over what counts or doesn’t (c.f. the what-counts-as-indie debates of the ’80s and ’90s), but if we’re going to use a label we should be willing to engage it and so I’m going to do just that in three posts over three days: origins, the middle and the radical.
It all starts with Eugene England
As far as I know, the first use of the term radical middle in relation to Mormon narrative art is in Eugene England’s Dialogue essay/review “Danger on the Right! Danger on the Left! The Ethics of Recent Mormon Fiction,” which was published in Fall 1999. Continue reading “The Radical Middle in Mormon Art: Origins”
Benson Parkinson, founder of the AML-List and co-founder of Irreantum, was kind enough to send me a copy of his essay “Three Kinds of Appropriateness” for posting here at AMV. It used to be posted on the Association for Mormon Letters website, but it got lost in the shuffle a while back. It hopefully will be back up on the AML website soon, but since I refer to it often and will be referring to it again in the future, I’m thankful Ben has given me permission to post it here. It originally ran on the AML-List in January 1997 (and sadly those early days of the List, which featured several excellent essays/columns are no longer archived online).
LITERARY COMBINE: Three Kinds of Appropriateness
Morality is a mark of Mormon literature. It probably wouldn’t have to be that way, but even the most fringe Mormon offerings generally get around to taking a moral stand. People say that everyone has a different idea of appropriateness, a different degree of tolerance for sex, violence, bad language, and depictions of sinful behavior. I find that, when it comes to appropriateness, Mormon literature tends to be of just three kinds. Continue reading “Benson Parkinson’s “Three Kinds of Appropriateness””