Tag: Bali

A review of The Island of Bali Is Littered With Prayers

A review of the Island of Bali Is Littered With Prayers
I hesitated for a few weeks before reading The Island of Bali Is Littered With Prayers (Amazon). I already knew Jeremy could write, and, in fact, I have tried to recruit him to AMV over the years. I knew that we shared a certain sensibility that could perhaps be described as a interest in melding, or at least co-locating, the core of Mormon praxis with the avant garde, post-whatever, and insistently yet calmly artistic. And I knew that I very much liked the excerpt I had posted at AMV when the limited edition hard bound copy of the book was published late last year.
But all that somehow fades when faced with the book itself, the slim paperback volume with the vibrant red cover that arrived with a handwritten return address. What if it isn’t good? What if it is good, but I have nothing to say about it? Silly considerations, of course, especially when you get the book for free without committing to a formal review. And once the hesitation slid away, all there was to do was just read the thing. Which I did.
So here’s the deal: The Island of Bali Is Littered With Prayers is a marvelous case study in how to capture in a piece of creative nonfiction a meaningful cross-cultural experience. It’s also a lovely book to read.
There are a few reasons for that.
1. The goal of the experience itself was not manufactured for the purpose of writing the book. Jeremy goes to Bali because he wants to start a gamelan group [ http://en.wikipedia.org/wiki/Gamelan ] at BYU. That goal supplies the narrative with a forward movement, which then frees him from indulging in travelogue and chronology, although the book proceeds roughly chronologically.
2. Jeremy is less of a tourist and more of a student, but as a student he’s both a novice (at gamelan) and an expert (a PhD-ed musicologist), which means that he can approach his writing with authority, but also wonder and humility. That leads to a very pleasant tone to the prose. Unlike many travel writes he is not preening or pretentiously keening or trying to chock full us with insights and breathy observations derived from the exotic.
3. There is a lightness yet sincerity to the cultural observations fueled by the genuine camraderie of the endevaor. And yet, for all the felicitious coming together over the joy of music and performance, Jeremy doesn’t gloss over the points where the cross-cultural joy turns foreign, even puzzling. This is the importance of the chapter that relates the funeral and cremation of the King of Ubud.
4. Jeremy writes well about music — about sound, instruments, rehearsal, performance — and does so in a way that helps readers sink in to both the theoretical and metaphorical explorations of sound (and the physics of it) and the physicality that goes in to the actions that create music. Add in the socio-cultural dynamics of both acquiring the skills to lead a gamelan group and then the actual starting of one at BYU and it’s obvious that there’s a real command there of writing about music. I very much look forward to his forthcoming book on La Monte Young.
5. Finally, I very much enjoyed the deft touch Jeremy takes with the cross-cultural Bali/Mormon moments. He doesn’t lay it on too thick. He doesn’t try to extrapolate out any grand conclusions (although he does have moments where he tries to explain to the reader and himself how the Balinese really understand art as it relates to ways of living). The focus really is on creating a Wasatch Front-based gamelan. That there are a few felictious moments of Mormon intrusion in to the endeavor is almost incidental, but also enriches the whole thing. Good stuff.
FTC Note: this review is based on a gratis review copy of the paperback sent to me by the author.

I hesitated for a few weeks before reading The Island of Bali Is Littered With Prayers (Amazon) by Jeremy Grimshaw (which is now out in paperback). I already knew Jeremy could write, and, in fact, I have tried to recruit him to AMV over the years. I knew that we shared a certain sensibility that could perhaps be described as a interest in melding, or at least co-locating, the core of Mormon praxis with the avant garde, post-whatever, and insistently yet calmly artistic. And I knew that I very much liked the excerpt I had posted at AMV when the limited edition hard bound copy of the book was published late last year by Mormon Artists Group (also see my interview with Jeremy about the book).

But all that somehow fades when faced with the book itself, the slim paperback volume with the vibrant red cover that arrived with a handwritten return address. What if it isn’t good? What if it is good, but I have nothing to say about it? Silly considerations, of course, especially when you get the book for free without committing to a formal review. And once the hesitation slid away, all there was to do was just read the thing. Which I did.

So here’s the deal: The Island of Bali Is Littered With Prayers is a marvelous case study in how to capture in a piece of creative nonfiction a meaningful cross-cultural experience. It’s also a lovely book to read. Continue reading “A review of The Island of Bali Is Littered With Prayers”

An interview with Mormon musicologist Jeremy Grimshaw

Yesterday, I posted an excerpt from Jeremy Grimshaw’s new book The Island of Bali is Littered with Prayers, which is available from Mormon Artists Group. Younger denizens of the Bloggernacle might not recognize Jeremy’s name, but he started an excellent blog focused on Mormon culture called Orson’s Telescope way back in February, 2004. He brought sharp writing and humorous commentary to the mix and I became a major fan. Sadly, but understandably, he had to shut the blog down just a little over a year later to focus on his dissertation. The attempt at discipline must have worked because now he’s an Assistant Professor of Music at BYU.  In the following interview, we talk about his new book, his work on Mormon minimalist composer La Monte Young (which AMV has featured before), and a couple of other topics.

So last the Bloggernacle was really aware of Jeremy Grimshaw was when you shut down your excellent blog Orson’s Telescope to focus on your dissertation. Catch us up briefly — how did you get from there to where you are now?

I completed by Ph.D. in musicology with emphases in American experimental music and world music.  Out of grad school, I taught for two years at Denison University, a small, wonderful liberal arts college in central Ohio. I never really anticipated returning to Utah, at least not so quickly, but some curricular changes at BYU resulted in the creation of a new position. Next thing I knew, I was in Provo.

Some of our newer AMV readers may not be familiar with your work. Can you re-explain your studies and analysis of the work of La Monte Young?

Although his is not a household name, except perhaps in certain circles, La Monte Young is one of the most important American composers of the 20th and 21st centuries. As an central figure in the New York scene of the 1960s, he curated a famous experimental concert series at Yoko Ono’s loft, collaborated with Andy Warhol, was a mentor to founding members of the Velvet Underground, and became the patriarch of the minimalist movement in music.  He became known for such works as his monumental 6-hour composition for alternately tuned piano, The Well-Tuned Piano, and the ongoing electronic installation known as the Dream House, which he created with his wife, the visual artist Marian Zazeela. Brian Eno, the electronic composer and producer for Talking Heads, U2, and David Bowie, calls him “the granddaddy of us all.”

An excerpt from The Island of Bali is Littered with Prayers

Last week Mormon Artists Group announced the availability of a fine edition version of BYU Assistant Professor of Music Jeremy Grimshaw’s The Island of Bali is Littered with Prayers, an account of his trip to the island to study gamelan music and subsequent efforts to start a gamelan orchestra in Utah. I’m pleased to bring you the following excerpt from the book. Tomorrow I’ll post a Q&A with Jeremy.

The fine edition version is limited to 25 copies and costs $125. You can purchase it (and read more about it) at http://mormonartistsgroup.com/ (for some reason the website doesn’t do direct links to its pages — so click on “Works” when the page loads and then The Island of Bali is Littered with Prayers). Other editions of this title may become available in the future. Mormon Artists Group fine editions almost always sell out so if this does interest you and is within  your means, act quickly.

From the section on unpacking the gamelan instruments when they arrive in Provo.

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When the instruments arrived, I couldn’t help but notice that the unpacking party was a kind of music of its own: a polyphonic chorus of hammering, the groan of boards being forced out of square, nails squealing at the pull of crowbars. The twenty-one crates, some of them as big as refrigerators and all of them sturdy enough to protect their heavy, precious cargo on the nine thousand mile, three month- long journey from Bali, Indonesia, to Provo, Utah, put up quite a fight before giving up their contents. Continue reading “An excerpt from The Island of Bali is Littered with Prayers”