In this post, I’d like to briefly outline what I see as the major problems with a currently popular style in LDS visual arts, a style that I’ve nicknamed “sunset in Arcadia.” This post will concentrate on the aesthetic aspect – what works and doesn’t work in creating relevant Latter-day Saint art. In a future post, I will discuss marketing and economic trends that prove similarly troublesome.
The average art viewer isn’t schooled in various styles and may have trouble differentiating what he does and doesn’t like in various pieces of art, but most people enjoy seeing something that looks “real.” The mere feat of making a two-dimensional surface look like a three-dimensional object or, even better, a recognizable person, is something laudable to most art consumers. Many laymen will tell you that their preferred style is “realism.” But it is this confusion of terminology that proves so troublesome in defining an artistic style, especially when most LDS art produced currently is produced for a middle-class market; there is a built-in filter of populism whenever an artist considers making a career of a talent.
Continue reading “Sunset in Arcadia”
or, Opening a Critical Discourse in Mormon Visual Arts
As a fan of LDS author Orson Scott Card, I have long frequented his website and discussion forum, a place which has shaped my ideas of civil discourse. It was at Hatrack River that I learned the meaning of words like ad hominem and strawman and acquired an uncanny radar for the oft-confused correlation and causation. For a long time, my exposure to online discourse was rather exclusive to Hatrack, and it wasn’t until my final years of college that I began to venture into new venues, among which I discovered Card’s other forum, Nauvoo: a Community for Latter-day Saints.
The folks at Nauvoo are friendly, open to newcomers, and fond of online emotion. It was easy for me to open up and join whole-heartedly in their discussions.I was a bit taken aback, however, to the response one day when I replied to a discussion on recent LDS cinema. I had posted my review of the new rendition of Pride and Prejudice, which I had enjoyed upon initial viewing, but upon reflection was troubled with its insular depiction of a very narrow subsection of beautiful, wealthy Provo people as indicative of the Mormon population. The reply to my critique was a sardonic one-lined, “well gee – why don’t you tell us how you really feel?” Continue reading “Dissension in the Ranks”