A comparison of the imagery in Russell Holt’s Lamb of God (1993) and Mel Gibson’s The Passion of the Christ (2004).
“I do not look forward to the feelings that will grip my heart when The Passion suspends me in time and space and brings me to the feet of the suffering Christ. But it is a feeling I want to experience. We speak and preach so casually about the sacrifice of Christ, the “price he paid for us,” the blood he shed and the agony he suffered. Such phrases have become so familiar to us it is more prosaic than real.”
So concluded LDS filmmaker Kieth Merrill in an article published in Meridian Magazine prior to the release of Mel Gibson’s The Passion of the Christ, a controversial visual narrative of the final twelve hours of the life of Christ. That Merrill – the director of church-sponsored favorites such as Legacy and The Testaments: Of One Fold and One Shepherd – should anticipate the viewing of such a charged film is not so unusual when considered in a vacuum. However, when one considers that Latter-day Saints have their own film chronicling the Easter story, one begins to wonder what the “feeling” is to which Merrill is referring.
But the focus of this piece is not simply to point out that Mel Gibson’s film is a more graphic representation of the Easter story than Holt’s. Not only does that go without saying, but it would be equally foolish to stand these two films side by side in light of their vast differences on grounds ranging from production budgets to the purpose behind their production. Lamb of God is a church-sponsored film with a proselyting simplicity packed into its lean twenty-seven minute running time while Passion of the Christ is commercial entertainment designed for consumption by the paying masses. Certainly, Gibson’s staunch Catholicism indicates a goal that was loftier than mere dollars and cents, but it seems erroneous to assume that he was ignorant of the financial risk/reward scenarios presented by his film. Conversely, Lamb of God never had a commercial theatrical run and video and DVD sales are, like most church-produced media, zero sum at best. Continue reading “Artificial Reality”