Not living in Utah anymore has its advantages and its drawbacks… for me one of the things I REALLY miss is the Utah Theatre scene. Seeing original Mormon plays from New Play Project, or the the really interesting theatrical projects that happening these days at UVU and BYU, or seeing familiar names on the program at the myriad of quality plays performed in both Salt Lake and Utah County… it’s something I really miss. Fortunately, I keep my ear close to the ground (and glued to the events posted on Facebook and the Utah Theatre Bloggers Association website) to keep updated on what’s happening with Mormon Drama in the good ol’ State of Deseret. For, with all its quirks and foibles, Utah is still the center of the Mormon Arts, although it would be great to see a truly global Mormonism represented through Mormon Drama and other Mormon Arts (and for proof of such progress, one only has to look at the relatively recent international issue of Mormon Artist ). But, as it is, those of us out of the hive miss on some great artistic projects about our faith.
Fortunately, I have been asked by certain omnipotent powers that be here at AMV (okay, Jonathan Langford) to stay even more in touch with this side of my natural interests and start a monthly column about Mormon Drama. I will not always be the column’s writer, as I will often ask other guest Mormon dramatists and thespians to take over for a month and give us their two cents on the State of Mormon Drama. But I hope to consistently oversee the spot, to keep it running smoothly so that it can give some consistent information about my most beloved branch of the Mormon Arts. As far as I’m aware, others at AMV will be running similar columns about their own individual disciplines. Continue reading “Scripting Mormon Drama: Series Introduction”