“I’m Addicted to Story”: An Interview with Playwright Melissa Leilani Larson





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As one of my last posts for A Motley Vision (I’ll go more into that in a different post) I wanted to conduct an interview with one of my favorite Mormon playwrights (one of my favorite playwrights, period), Melissa Leilani Larson. Mel has created a body of work that is impressive and moving, and she is one of Mormonism’s best and brightest dramatists. So without further ado:

1. So, first, tell us a briefly about yourself. Your personal, educational, creative background as a person and as a playwright, your interests, what makes you distinct?

Melissa Leilani Larson, photo taken by Alisia Packard

I’ve been writing for as long as I can remember. I’ve always been a voracious reader, and I think that love of reading led me to writing stories of my own. I wrote all through school, first grade on up, until I earned my BA in English/Creative Writing from BYU and later my MFA from the Iowa Playwrights Workshop.

As far as what makes me distinct”¦ Fabulous actresses far outnumber the parts they can play. My ultimate goal is to write fascinating, engaging, and challenging roles for women. A lot of them–several strong female roles per play. That’s the distinction to which I aspire.

2. You were chiefly an English major/literary personality before you switched your focus to writing for a theatrical medium. What changed that direction? Continue reading ““I’m Addicted to Story”: An Interview with Playwright Melissa Leilani Larson”

_Saints on Stage: An Anthology of Mormon Drama_ is Now Available

SaintsOnStage-Cover.inddSaints on Stage: An Anthology of Mormon Drama is now available at Zarahemla Books’ website, Barnes and Noble, and Amazon.

After a half decade of delays, obstacles, research, and revising, I am so pleased that this behemoth is now ready to release onto an unsuspecting world! The plays it includes (from such Mormon Letters luminaries as Eric Samuelsen, Margaret Blair Young, Melissa Leilani Larson, Thomas F. Rogers, Susan E. Howe, James Arrington, Scott Bronson, Tim Slover, Robert Elliott, and Thom Duncan) have effected my life in profound ways and I hope other people will feel the same. They make up some of the finest accomplishments in the history of Mormon Drama. The volume is huge… nearly 700 pages. It has 11 plays, playwright biographies, and a 30+ page introduction on the history of Mormon drama. We’ve tried to be thorough, we’ve tried to give you something meaningful. I hope you’ll see why this is a project I thought was worth working and waiting for.

_Saints On Stage: An Anthology of Mormon Drama_ is Off to the Printers!

It’s taken the better half of a decade, but Saints on Stage: An Anthology of Mormon Drama is off to the printers. This is the description of the book on Zarahemla Books’s website:

SaintsOnStage-Cover.inddSaints on Stage is the most comprehensive and important work on Mormon drama ever published. This volume anthologizes some of Mormonism’s best plays from the last several decades, many of them published here for the first time. Several of these plays have won honors from institutions as varied as the Kennedy Center and the Association for Mormon Letters.

This volume includes historical backgrounds and playwright biographies, as well as an introduction that provides an extensive overview of Mormon drama. The following plays are included:

Fires of the Mind ““ Robert Elliott

Huebener ““ Thomas F. Rogers

Burdens of Earth ““ Susan Elizabeth Howe

J. Golden ““ James Arrington

Matters of the Heart ““ Thom Duncan

Gadianton ““ Eric Samuelsen

Hancock County ““ Tim Slover

Stones ““ J. Scott Bronson

Farewell to Eden ““ Mahonri Stewart

Martyrs’ Crossing ““ Melissa Leilani Larson

I Am Jane ““ Margaret Blair Young

Blinded by the Fire: Cultural Memory and the Response to My Mormon History Plays

Farewell to Eden_Georgiana and StephenNOTE: This was written for a final paper in my Dramatic Writing MFA Writer’s Workshop class where I was supposed to apply Anne Bogart’s book A Director Prepares to my own  work. Thus the navel gazing…

In her book A Director Prepares, Anne Bogart addresses various challenging experiences theatre artists face in creating their art. In the book she confronts Memory, Violence, Eroticism, Terror, Stereotype, Embarrassment, and Resistance. Although she writes from a director’s perspective, I found them particularly helpful from a playwright/screenwriter’s point of view as well.

Having been both a director and a writer for the theater, I have found both creative processes put me in a similar place intellectually and emotionally (especially when I’ve been a director for my own work, it just seems to be a different step of the same process). Although I will write about how all of these qualities addressed by Bogart have affected my work in future posts, I would like to focus on each of them one at a time. So first on deck for this series of essays is”¦


In her book, Bogart states:

Theatre is about memory; it is an act of memory and description. There are plays and people and moments of history to revisit. Our cultural treasure trove is full to bursting. And the journeys will change us, make us better, bigger and more connected. We enjoy a rich, diverse and unique history and to celebrate it is to remember it. To remember it is to use it. To use it is to be true to who we are. A great deal of energy and imagination is demanded. And an interest in remembering and describing where we came from (p.39).

For me this statement from Bogart has resonance on so many levels. In my work, I’ve focused a great deal on historical drama, especially from my Mormon heritage. My intense interest in Mormon history has bled into a number of my works, reaching back as far as my high school juvenilia. Continue reading “Blinded by the Fire: Cultural Memory and the Response to My Mormon History Plays”