BYU Studies review of the Matched Trilogy

My review of Ally Condie’s Matched trilogy is now available as a free download at the BYU Studies website. If you are not a subscriber, but would either like a print copy of the entire journal or a PDF download, check out the table of contents for the issue (52.4).

And here are the AMV posts that helped inform my approach to the review:

Correlation, Top Tens and Ally Condie’s Matched

A nod to Mormon history in Ally Condie’s Reached

The Matched Trilogy: Teenagers and correlated media

Liner Notes: Dark Watch

The liner notes for William’s story Dark Watch, which appears in the fall 2013 issue of Dialogue.

The fall 2013 issue of Dialogue went live yesterday to electronic subscribers. Print editions are in the mail (or will soon be). I’m delighted and a bit awed that this issue devotes more than 20 pages to my story Dark Watch–it’s my longest published story to date. The way I usually describe it is: post-apocalyptic Mormon fiction told in alternating second person.

Dark Watch began as 8 or 9 lines of verse hastily scribbled at least a decade ago, perhaps longer. It continued to percolate. I think I added a second stanza. At some point it turned into the beginnings of a story. Sadly, I can’t find the original source material nor the notes that transitioned it into a science fiction story. I can picture the scraps of paper in the faded manila envelope I had collected them in, but I can’t find that envelope. I can say this the initial image–one member of a couple watching a storm flow across a broken plateau, her spouse startling himself awake–is where it all began and made it all the way through to the final product. Continue reading “Liner Notes: Dark Watch”

Mormonism and the Arts at the Berkeley Institute: Fiction (sf/f)

.

[background]

.

Today’s readings are:

“The Class That Wouldn’t Die” by Joe Vasicek

“Three Different Mormon Futures” by Eric James Stone

“Avek, Who is Distributed” Steven L. Peck

“Release” by Wm Morris

“Waiting” by Katherine Cowley

and, if we have time, “That Leviathan, Whom Thou Hast Made” by Eric James Stone (free audio)

.

Please feel free to have your own seminar in the comments to this post.

.

Other posts in series:

Poetry

Fiction (lit)

A Rambling Review of Assembled Allred

Allred, Lee. Assembled Allred: 7 Tales by the Master Sergeant of Alternate History. Lincoln City, OR: Rookhouse Books, 2012. 171 pages. $14.99 in trade paperback, $8.99 Kindle. Reviewed by Jonathan Langford.

Much of science fiction is written in the spirit of What if? What if humans could fly? What if there were aliens among us? What if you could go back in time and marry your own grandmother? (Thanks for that one, Heinlein!)

The best of these questions are never just about science or technology. They invite us, instead, to consider what is real and constant — and what changes — in human hearts and minds and spirits, and societies. They prod us to reflect on our values and challenge our own easy answers about what is right and wrong. For all the conflict many readers and writers see between science fiction and religion, there’s a surprisingly large shared space (in my opinion, and that of many Mormon sf&f readers) between the kind of imagination needed to explore the stars, if only mentally, and a cosmology that sees the bounds of current mortality as merely a proscenium on eternity. Or maybe it’s mortality that’s the strictly bounded stage, and religion — and imaginative fiction — a mental transition space between where we are and the boundless limits of possibility?

Allred’s stories explore that space. They ask not only what if history had been a little bit different, what if the Mormons had repeating rifles during the Utah War, but also what if (for example) a magical implement could remove the signs of cowardice, at the price of blood? Or T. H. Huxley wound up after death in a Hell he didn’t believe in during life? The answers tickle the imagination; at their best, they engage the heart as well.

Continue reading “A Rambling Review of Assembled Allred”

Whitney Speculative Finalists 2012

As it happened, I wound up sneaking one more category in under the deadline. Here’s my (somewhat belated) writeup.

Continue reading “Whitney Speculative Finalists 2012”

Whitney YA Speculative Finalists 2012

Here’s my second (and given the timing, probably final) installment on this year’s Whitney finalists, following my earlier post on middle grades finalists. I’ll remind you of my two caveats: spoiler alert, and opinionated reader alert. Feel free to chime in with your own opinions.

Continue reading “Whitney YA Speculative Finalists 2012”

Whitney Middle Grades Finalists 2012

And I’m trying it again! This year I’m starting with this year’s brand new category: middle grades.

Two warnings and an acknowledgment before we start. First, be prepared for spoilers, since I can’t talk about books without talking about story and theme. Second, these are only my own thoughts as a private and opinionated reader. I encourage everyone to share their thoughts, whether in agreement with mine or not. And my acknowledgment that in many cases (though only one of the books in this category, interestingly), books were provided in PDF format by the publishers, for review by Whitney Academy members — a courtesy for which I’m most grateful.

Continue reading “Whitney Middle Grades Finalists 2012”

_The Hobbit_ Strikes a Personal Chord– Again.

My wife and I finally got the chance to see the first part of The Hobbit trilogy the other day (with two young kids, our opportunities become more rare, so having Anne’s parents in town really helped in this regard). I was wary at first. I had read a number of negative reviews and, being a lover of Tolkien’s work and the previous Lord of the Rings films, I was afraid to see the film version not live up to expectations. Lowered expectations always help when going into a film (part of why I read the critics first), and this proved to be the case here. But, even if I had higher expectations, I still believe I would have been just as moved by the film. Continue reading “_The Hobbit_ Strikes a Personal Chord– Again.”

My 2012 Mormon Arts Favorites

So this is not some snazzy, official list with criteria, rubrics, or voting committees. This is just my personal, gut-feeling-favorite Mormon Arts contributions that I have experienced this year. This also doesn’t mean that it was even published or produced in 2012… these are works/artists that I have personally encountered this year (or so).  So keep that in mind as I submit “Mahonri Stewart’s Personal Mormon Arts Favorites of 2012!” (Which may or may not become an annual tradition, depending on how lazy I am next year).

FAVORITE MORMON PLAY: MELISSA LEILANI LARSON’S MARTYRS’ CROSSING

MARTYRS' CROSSINGSo, beyond what I’ve seen my Zion Theatre Company produce this year, I haven’t had a chance to see much Mormon Drama in 2012 since I live in Arizona (kind of pathetic since I’m supposed to be the Mormon Drama expert around here). I can’t visit Utah on a whim to see the rare Mormon themed play that comes around (or, this year, New York with #MormonInChief!), but what I have done this year is read a bunch of older Mormon plays to finish my editing for Saints on Stage. Since one of those plays was produced again this year, I am choosing Martyrs’ Crossing, which has been getting great reviews at the Echo Theatre in Provo. I saw BYU’s production of the show years ago and read it again this year, and it’s as beautiful and vibrant as I remember it. Melissa is one of Mormonism’s best playwrights and, although I would  call Little Happy Secrets her best work so far, Martyrs’ Crossing is a personal favorite, much due to Mel’s beautiful writing and to my love for Jean d’Arc… who I may tackle a play about some day as well, although it would be pretty different than Mel’s take. Mel keeps beating me to the punch on stories that I love, including Jane Austen’s Persuasion and her upcoming adaptation of my all time favorite novel, C.S. Lewis’ Till We Have Faces. Despite that personal frustration, I can’t but help look at these works and say, “Well, at least Mel wrote it, because it’s beautiful.”

FAVORITE MORMON PLAYWRIGHT: MATTHEW GREENE

Although I haven’t seen or read it, just the fact that Matthew Greene was able to get a Mormon themed play up in major a New York fringe festival is nothing to sniff at. I’ve read both positive and negative reviews for #MormonInChief,  but I admire Matthew (who was in BYU’s WDA Workshop with me several years ago) for really jumping into the New York theater scene and progressing the cause of Mormon Drama. He’s also got an upcoming play coming soon to Plan-B Theatre Company in Salt Lake City called Adam and Steve and the Empty Sea. Matthew is getting some real traction in his career as a dramatic writer and I believe it’s well deserved. Continue reading “My 2012 Mormon Arts Favorites”

Twilight and the CleanFlicks Aesthetic

NOTE: This is a paper I presented at a conference to a largely non-Mormon audience a few years ago (April 2010 to be precise). Since the final Twilight movie hit theaters this morning at midnight, I thought it might be worthwhile to dust off this paper and present it for your review. Overall, I like the basic idea of the paper, although I think certain ideas and distinctions need to be further developed and drawn.

Vampire stories, argues William Patrick Day, are supposed to “viscerally [excite] us with primal, forbidden, terrifying images and scenes of flesh and blood, fangs and stakes, violence and death” (5). Yet, if this is true, why is Stephenie Meyer’s Twilight Saga so devoid of such “terrifying images and scenes”? Already, much has been written about the “erotics of abstinence” in the Twilight novels, or their lack of explicit sex–premarital or otherwise (Grossman). Less has been said, however, about how these vampire stories flout the conventions of the vampire genre by avoiding bloody, violent spectacles.

Indeed, one of the earliest reviews of Twilight–a brief write-up in Publishers Weekly–points out that the “novel’s only weakness” is a “rushed denouement” that mostly “takes place offstage” (207). In the climactic scene, Bella is in danger. James, a bad vampire who has become fixated on her blood, lures her to a dance studio where he plans to slake his thirst. The suspense builds as James, true to his nemesis role, monologues about his skills as a tracker, his desire for Bella’s blood, and his disdain for the Cullens, Bella’s good, “vegetarian” vampire friends. Using his super vampire strength, James throws Bella against a wall of mirrors, breaks her legs, and cuts a gash along her forehead. The situation looks bad for Bella:

His eyes, merely intent before, now burned with an uncontrollable need. The blood–spreading crimson across my white shirt, pooling rapidly on the floor–was driving him mad with thirst. (450)

James strikes at her, bites her on the hand, and Bella–our first-person narrator–passes out.

And that’s all we get.

Continue reading “Twilight and the CleanFlicks Aesthetic”