Somehow I failed to post this earlier this week. I hope you weren’t coming anyway.
Nathan Florence has directed a new documentary, Art & Belief, about a handful of artists including Trevor Southey and Dennis Smith, who believed not only that Mormonism and fine art were compatible, but that together they could change the world.
For some reason I hadn’t bothered to google him prior, but Nathan Florence is a painter, and a pretty good one at that (based on the jpgs).
I hope to do more on this film as time goes on, but for now, here are two nice quotations from the extant 20 minutes:
“Illustration answers questions. Art asks questions.”
– – – Dennis Smith (I think it was Dennis Smith)
“Vulnerability equals intimacy.”
– – – Trevor Southey (this one I know is correctly attributed)
Part III: What to do with $100,000.
They have a distributor and big names like Sterling Van Wagenen and Lesley Chilcott are on-board, but they need money to finish it. AMV readers are famed for their deep pockets and generous natures so, you know, get yourself an executive-producer credit.
AMV’s about page is very upfront about the inbred nature of the current Mormon-arts community, but this post seems to require a direct reminder of the fact.
The new online miniseries Adam & Eve is written and directed by Davey and Bianca Morrison Dillard. They were both early joiners of New Play Project, which began life as “mere” student works, yet gained acclaim, gathering words like renaissance and breakthrough and baby-this-is-the-future. It didn’t hurt that established playwrights like Eric Samuelsen and Melissa Leilani Larsen, and Mahonri Stewart were seduced by all this young blood and provided additional work for them to produce. No doubt, NPP, while it lasted, was a marvelous thing, and everyone involved deserves fond memories of their own and long memories of ourn.
My intimacy with NPP began with Davey approached me about publishing a collection of NPP work. I had a couple stipulations but was largely hands off, and the thing came out almost six years ago now, if you can believe it. Among the short plays included in the collections was Davey’s “Adam & Eve.” It was his first attempt at playwriting. One of his better NPP plays. And, apparently, has not unclutched him ever since as it appears now in serial film form as “Adam & Eve.”
I left Utah just as the Mormon-movie craze was collapsing into a heap of half-baked, opportunistic, unfunny, quote-unquote comedies. No longer in Utah, Mormon movies became harder to see, and I haven’t often felt the effort was worth it.
I know, I know. Me of all people! I should know better than to be dismissive! But I’m still having my standoff with Netflix and they’re not in local theaters or my public library and I’m a little too cheap to spend twenty bucks on a movie I might not like. So I just haven’t seen many. Never mind that I am watching movies, I’m not watching many “Mormon” movies.
The only recent Mormon flicks (last five years?) I’ve seen are Freetown and Once I Was a Beehive.
But I couldn’t just forget about it because I was particularly interested in this film. Not because I’d just been to Girls Camp myself for the first time (though maybe that) but because I find stories about girls between the ages of, say 15 and 25 to be particularly compelling right now, both to read and to write. So I wanted it to be good. I wanted to hear it was good and to feel obliged to see it. And then I wanted to like it. Which seemed like a lot of unlikely steps.
Happily, even before I read anything about it, Excel provided me with a password-protected link to let me watch the film online. And I’m relieved to report that notwithstanding its flaws (which I will not ignore), this movie is Continue reading “Once I Was a Beehive”
As one of my last posts for A Motley Vision (I’ll go more into that in a different post) I wanted to conduct an interview with one of my favorite Mormon playwrights (one of my favorite playwrights, period), Melissa Leilani Larson. Mel has created a body of work that is impressive and moving, and she is one of Mormonism’s best and brightest dramatists. So without further ado:
1. So, first, tell us a briefly about yourself. Your personal, educational, creative background as a person and as a playwright, your interests, what makes you distinct?
I’ve been writing for as long as I can remember. I’ve always been a voracious reader, and I think that love of reading led me to writing stories of my own. I wrote all through school, first grade on up, until I earned my BA in English/Creative Writing from BYU and later my MFA from the Iowa Playwrights Workshop.
As far as what makes me distinct”¦ Fabulous actresses far outnumber the parts they can play. My ultimate goal is to write fascinating, engaging, and challenging roles for women. A lot of them–several strong female roles per play. That’s the distinction to which I aspire.
My wife and I finally got the chance to see the first part of The Hobbit trilogy the other day (with two young kids, our opportunities become more rare, so having Anne’s parents in town really helped in this regard). I was wary at first. I had read a number of negative reviews and, being a lover of Tolkien’s work and the previous Lord of the Rings films, I was afraid to see the film version not live up to expectations. Lowered expectations always help when going into a film (part of why I read the critics first), and this proved to be the case here. But, even if I had higher expectations, I still believe I would have been just as moved by the film. Continue reading “_The Hobbit_ Strikes a Personal Chord– Again.”
On December 12, I received my copy of the two-volume Mormons and Popular Culture in the mail. know it’s not out until the 31st, but Praeger‘s the sort of classy joint that hooks the contributor up before the general population. I think this is the first time in my career I’ve received a copy of my work before the general public. . . .