When I don’t have other things occupying my mind (and often when I do), I think a lot about language and kinship, about the potential of words to forge new relationships among people and between people and things and thereby to shape new neural, emotional, physical, and social worlds. Because I believe that language has this cosmoplastic capacity, I’m convinced that it has the potential—more than violence and threats of violence—to lead us to better, more sustainable versions of ourselves as individuals, as communities, as nations, and as a species.
In light of Sunday’s mass shooting in Las Vegas, I needed to remind myself of my convictions, which inform my writing and my teaching; so, egoist that I am, I turned to an essay I had published on the topic in Sunstone last year: “‘An Open Palm and a Consecrated Life’: Three Meditations on Being-with Others.” The essay explores the implications of a question Adam Miller asks in Letters to a Young Mormon: “The question is, will we greet [the] passing [of everything and everyone we know] with a closed fist or with an open palm and a consecrated life” (75)? My response to Miller grapples with the ethics of state-sponsored violence, lyrics from Emma Lou Thayne, and Enoch’s vision of a God who weeps over human violence.
Here it is. Take my words however you will.
I had the pleasure of reading Sheldon Lawrence’s book Hearts of the Fathers a couple of weeks ago. Dr. Lawrence is a professor at BYU-Idaho, and when I requested to review an advance copy, he had it delivered to my husband, who also works at BYU-Idaho. When my husband picked it up and read a page on his way to delivering it to me, he stated that it read like “a book written by a BYU professor.” This worried me. He didn’t mean it in a bad way, but I’ve had some bad experiences with fiction written by BYU professors.
Then I began to read it, and to my pleasure, I was immediately drawn in. Continue reading “On Sheldon Lawrence’s Hearts of the Fathers and Categories of Relgious Fiction (with a most inappropriate comparison)”
Amber Gilchrist is an independent writer of fiction that is unapologetically LDS and aimed at a general audience. When I set into reading her newest novel, The Librarian Shoots a Gun, it was with the intent of studying how she grounds her general readers in LDS culture–what she feels a need to explain, and how she does it without interrupting the flow of her story. Continue reading “Taking Our Stories to a General Audience: A review of The Librarian Shoots a Gun, by Amber Gilchrist”
I will be walking down a sidewalk thinking of other things when I remember when Elna Baker said:
I try not to [read what Mormons are saying about me]. . . . Never before in history has there been a time where things increase, where we get more and more aware, where what you create is open to criticism that you have access to. . . . . for the most part I’ve noticed that the reactions are positive, but then as you scroll down and stumble upon reactions that are really strongly negative and . . . you can’t stop it.
And now I want you to compare this to what Mettie Ivie Anderson recently said:
. . . I have rough drafts of several other books in the series, and have planned in my head an arc for Linda’s development as a character up to a certain point. I wanted to get that set in place before the first book came out because I don’t want media attention, and in particular the comments of other Mormons around me, to influence the story I have in mind for her.
I find the similarities and differences here quite striking. Your thoughts?
more posts on The Bishop’s Wife
The Bishop’s Wife has a lot to say about male/female relations (and a lot about marriage in particular) and about the different roles of men and women in this particular Mormon community (from which we are free to extrapolate). I’m not ready to draw many conclusions regarding just what the novel is saying—that will be done better as more people read and begin debating motwaaw—meaning being, of course, ultimately, a very personal thing—but I want to provide some out-of-context quotations for your preliminary consideration.
Brethren, please check your privilege before proceeding.
Note: As I said last time, I will correct obvious errors, marking them with [molaq] and mark likely errors I can’t correct with [sic]. I will note location with chapter numbers and, if necessary for purposes of this post or to prevent spoilers, disguise characters and events via substitutions enclosed in brackets or through the omission of quotation marks. Sometimes I add comments in italics after the chapter number. Continue reading “Gender in The Bishop’s Wife (divorced of context)”
I suddenly thought to start tweeting #MoLit / #MormonLit stuff during #ldsconf. I wasn’t consistent in my hashtags and not all my examples were ideal and I tended to repeat some works too many times and I wasn’t above being self-promotional, but I wasn’t totally dissatisfied with the results.
I’m putting them here mostly to encourage others to do better.
Continue reading “Here. Read a book. #ldsconf”
When Magdalene was nominated to be considered by the Whitney committee for the 2011 awards, Jennie Hansen, a well-known LDS reviewer and writer, posted a review on Goodreads that caused quite a stir in our little LDS writing community. Her review was short and to the point. She wrote:
“Disjointed, sloppy writing. Lacks real knowledge of Mormons and leadership in the Church. Too much vulgarity for vulgarities sake makes this story crude and amateurish.” If you are interested, you may read and/or comment on this review here. Continue reading “Rectifying by Review: my take on Moriah Jovan’s Magdalene”
If you’re in California or Arizona, Ben Abbott’s Questions of the Heart is only halfway through it’s tour and you’re still in its future.
It’s been getting great reviews as it goes and, to the best of my knowledge, remains the only bit of theater performed to acclaim in both LDS churches and gay bars.
Don’t miss it!
8/23 ““ Berkeley, CA
The Osher Studio
2055 Center Street
9/2 ““ 9/3 ““ San Luis Obispo, CA
1531 Montery Street
9/9 ““ Ventura, CA
9/11 ““ Los Angeles, CA
9/15 ““ Mesa, AZ
Yesterday, I talked about Shannon Hale’s apparent attempt to make a mainstream success of a novel staring a character who was not “white, male, able-bodied, straight, not too young . . . and not too old“—you know, what we all expect a protagonist to be here in these United States. We discussed the basics of the plot and posed this question:
Does Dangerous succeed at making us identify with Maisie Danger Brown, its home-schooled, geeky, one-armed, half-Paraguayan female protagonist?
Sure. Of course it does. Humans are humans, whatever, no problem. Maisie is fine and we, excepting Klansmen, like her as much as we would a white male two-armed protagonist.
But what’s interesting is how much the novel hedges its bets on our openmindedness—it seems to be a little lacking in confidence that the audience will accept her. Continue reading “Just how dangerous is Shannon Hale? (part two)”