Jan
26

LDS Film Festival 2012: Overview & Day 1

LDS Film FestivalNotes from Day 1 of the 2012 LDS Film Festival:

Looking through the final schedule, this year’s LDS Film Festival has the usual variety of feature films, short films, and documentaries, but new this year are some “musical interludes” before screenings featuring local musical artists.  Undoubtedly a decision made to broaden the scope of the festival and support local LDS musicians, who face many of the same difficulties supporting themselves and finding audiences as LDS filmmakers do.
Read the rest of this entry »

Jan
16

Christian Films vs LDS Films — A Re-Review of Island of Grace (Rescued)

Island of Grace

Island of Grace is the “Christian-ified” version of the film Rescued (one of Candlelight Media’s dual release films discussed in a previous post).  While I wasn’t a huge fan of Rescued, I was curious about the differences and decided to re-watch both films to see what changes were worthy of note.

You may ask:  why?  Why spend time looking at differences between versions of an admittedly obscure film that wasn’t going to find a large audience in either LDS or “Christian” form?

I believe there are larger issues at play here.  The marketing decision to create alternate versions of Rescued for different audiences raises questions about how LDS film fits within the genre of “Christian” film, if at all.  Aren’t LDS films “Christian” films already?  If not, how do the two approaches differ?  Using Rescued and Island of Grace as a case study, I’ll look at some specific differences and then try to make some larger points about LDS filmmaking philosophy.
Read the rest of this entry »

Jan
10

LDS Film Festival 2012 Schedule Announced

LDS Film Festival 2012The 2012 LDS Film Festival will be taking place January 25th through the 28th at the SCERA theater in Orem, Utah.  The primary schedule has been announced at the official site, although there will be further updates of showings and presentations closer to the festival opening.

Some highlights of this years schedule:

  • Redemption — a drama about a lawman and a prisoner, set on the western frontier in 1862.  Directed by Tom Russell and starring John Freeman, Margot Kidder, and Barry Corbin.
  • Stand Strong — a drama about a family in crisis who learns what success is really about.  Directed by Amy and Shawn Kenney.
  • The Last Eagle Scout — satirical drama/comedy about a future society without Scouting where one young man tries to finish his Eagle before time runs out.  Written and directed by Kels Goodman.
  • Corianton: A Story of Unholy Love — the 1931 black & white film adaptation of the Brigham H. Roberts novella (based on the story of Corianton, son of Alma, from the Book of Mormon).
  • The Measure of a Man — a true story of an orphan in the Great Depression era who travels from Oklahoma to California and ends up raising a large posterity.  Directed by Elizabeth and Andrew Waite.
  • The Letter Writer — latest from LDS Film Festival head Christian Vuissa, a drama about a rebellious teenager who becomes the apprentice to an old writer of life-affirming letters.

In addition, the festival also features the regular assortment of documentaries, short films, discussion forums, and filmmaker presentations.  Tickets can be purchased online at the SCERA website or at the door.

Jan
05

Review: The Book of Life (B+)

The Book of Life[The Book of Life -- written and directed by Marco Lui -- is now available for general viewing through Audience Alliance.  The following is a reprint of my original review, posted in January 2011 at the LDS Film Festival]


Read the rest of this entry »

Dec
19

Review: Christmas Angel (B-)

Christmas AngelJust in time for Christmas, let’s look at Christmas Angel, a holiday-themed movie directed by Brian Brough (Turn Around, Rescued, Beauty & The Beast) and released to video in 2009.

Christmas Angel stars Bruce Davison as the title character, a rich retiree who spends his remaining years doing “Secret Santa” service for those around him.
Read the rest of this entry »

Nov
15

Review: Overcome / Turn Around (C-)

OvercomeOvercome, written by “Dani Franklin” and directed by “BJ Alexander”, stars “Jaycee Lynn” and was released to video in 2008.

Yes, I’m using quotes deliberately here.  “BJ Alexander”, “Dani Franklin”, and “Jaycee Lynn” do not, in fact, exist.
Read the rest of this entry »

Oct
31

Review: Johnny Lingo (1969)

The short film Johnny Lingo was produced by BYU in 1969 and has long held a celebrated place in LDS culture over the past forty years, despite no real LDS content.  (While largely “adopted” into LDS culture, it is based off of a Women’s Day article from Patricia McGerr, a Catholic, and references to the article and “eight cow wives” can be found in many non-LDS forums today.)

The 25-minute Johnny Lingo film can be found on DVD and is now available on YouTube as well.  (The 2004 film The Legend of Johnny Lingo is also available on DVD, although many elements of the Johnny Lingo story have been changed.  This article discusses the earlier short film only.)
Read the rest of this entry »

Sep
27

Sexual Content vs. Violent Content in Movie Ratings

Conventional wisdom says movie ratings in the US are far more tolerant of violence and gore than sex and nudity, in contrast with Europe and Asia where it is usually reversed.   Restrictive NC-17 ratings that would keep younger viewers away entirely are primarily given for sexual content, while films with extremely violent content routinely receive R-ratings, allowing kids of any age access with an accompanying adult.  Many violent PG-13 movies don’t require an adult companion at all.
Read the rest of this entry »

Aug
27

Potterpalooza and Pioneer Trek: The Power of Stories for Building Communities

I recently had the opportunity to do something I’ve never done before and may never do again: attend the midnight screening of a popular film, opening night. See, my sister somehow won two tickets to an event called “Potterpalooza” at a local theater. As you can probably guess, this was basically a big pre-screening party for the latest and last installment in the Harry Potter franchise. However, my sister had to go to her ward’s Girls’ Camp (as an advisor) and couldn’t make it. Her husband, while not particularly a Potter fan, decided to go and invited me because we basically enjoy doing anything together, and he couldn’t think of anyone else who would want the tickets more. So the two of us ended up meeting at Jordan Commons in Sandy, UT around 11:00 that night (we couldn’t make it earlier) for the big event.

A man and a boy dressed up for Harry Potter.We must have been an odd couple. Although I’ve read the books and seen all the films, I think the most fascinating thing about Harry Potter is the cultural phenomenon it has become. It doesn’t rank up there as a favorite of mine by a long shot, although I have no serious issues with it. My brother-in-law, on the other hand, had read none of the books and seen only half of the films at that point – the first half. Neither of us was the kind of person you expect to see at such an event.

What we did see was a lot of people in costume. There were wizards and witches, professors and aurors, Death Eaters and dementors, and for some reason an Imperial Storm Trooper. Also, in a fairly clever crossover costume, there was Lord Vadermort (in a monument to poor planning, there apparently was a Star Wars event that night too).

At the event we were given a bag of several “gold Galleons”, which in reality were plastic Roman looking coins, that we could use at the booths to get things like horcrux pins, butterbeer (ginger ale with creme), and other novelties. We could also pay one Galleon to be sorted. I couldn’t see the point of coming to the event without getting sorted, so I did. I got to wear the hat, take a picture, and have a house name randomly drawn from another sorting hat. I ended up in Ravenclaw, incidentally.

There was also music and dancing. The overall effect was sort of like a glorified high school stomp: a fun idea and great for some, but generally sort of lame. The really enthusiastic people were completely engrossed, and everyone else was just kind of there. It reminded me of another event I once attended where participants dressed up like people they were not and reenacted things they would never otherwise get to do: Pioneer Trek.

Some youth from a Pioneer Trek in AustraliaFor any readers who don’t know, Pioneer Trek is an increasingly common (or was last I knew) youth event sponsored by many stakes of the Church. Young men and women pick either a personal ancestor who crossed the plains with the Mormon pioneers (or otherwise showed a pioneering spirit) or sometimes an unrelated pioneer who interests them and spend anywhere from a day to a week visiting historic sites and/or reenacting the kind of life those people experienced. This can involve long walks, pushing handcarts, sleeping outdoors, isolation from all modern conveniences, etc. Participants are often divided into “family” groups in which they eat, sleep, and travel. At the Trek I went on, there was also dancing.

It’s not my purpose to draw parallels between the world of Harry Potter and the Pioneer Trek.* Instead, what struck me as I was milling around Potterpalooza was that the fans in the crowd were doing more or less the same thing that thousands of LDS youth do every year: representing in real life something not now existent that nevertheless means something to them. Granted, the LDS version celebrates the real stories of actual people who made difficult, often heartbreaking sacrifices while the Potter version celebrates, well, fantasy novels. No one in the Harry Potter stories ever actually existed, and the things they do cannot actually be done. There’s a very strong element of play-acting whereas the Trek is about commemoration. But why do we feel inspired to celebrate either? Basically, it’s because at some time in our lives we heard, read, or saw portrayed a story that touched our lives: a story that we want to remember and internalize in a more powerful way than we ordinarily do.

We do it by externalizing that story. We dress up like one of the characters. We adopt patterns of speech, thought, and behavior that reflect our ideas about that character. We reenact things that he/she has done (whether real or not) or try to represent what she/he would do in an imaginary scenario. We talk and debate and testify about that character’s meaning to us. We get inside the character’s head and try to become part of the story. In so doing, we allow the story to become part of us.

In many ways, this is the same reason a lot of films (though obviously not all) get made. The film’s creators try to recreate in another medium a story they found to be personally powerful. With the folks I’ve seen at events like Pioneer Trek and Potterpalooza, that medium is real life. It can be a sort of spontaneous, live performance, sort of like the one we all give every day. Unlike the general crowd of humanity we daily encounter, however, the crowd at the Harry Potter screening had a common bond – a love for the stories they cherished – that made them a community. At Pioneer Trek the same thing happens. Youth go and gain an appreciation for the things that their forebears have done by learning and recreating their stories. Then they feel closer to both the men and women of the past, and the others with whom they shared the experience.

In real life, we often overlook the things that make us the same  - our common loves – and focus on the things that separate us. It’s wonderful to see stories both real and imaginary uniting people in ways that are hard to accomplish. It’s wonderful to see film having this effect, even if the films in question are pure fantasy.

*Doesn’t Harry Potter and the Pioneer Trek sound like a great title for a Mormon/Potter crossover story?

Aug
22

Review: Take (A-)

TakeSaul sits in chains and stares blankly at the sterile prison walls around him as the film opens.  He is on death row and about to be executed.

Ana stares blankly at the featureless desert outside her car as she travels across the state to witness his execution.  She has a personal connection with Saul’s crimes, and can only hope for a bit of closure.

Take, released in 2007, centers around the two and only two times Saul and Ana meet face-to-face, and how they deal with the baggage from those occasions.  Through a non-chronological narrative, Take alternates between the present day (Saul’s execution) and the past (the day that put Saul on death row in the first place).

Read the rest of this entry »

Older posts «

» Newer posts